| Series |
Detroit monographs in musicology/Studies in music ; no. 18
Detroit monographs in musicology/Studies in music ; no. 18. ^A281112
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| Contents |
Dufay's Mon chier amy: another piece for the Malatesta / Allan W. Atlas -- Buyers and collectors of music publications: two sixteenth-century music libraries recovered / Jane A. Bernstein -- Josquin's chansons as generic paradigms / Lawrence F. Bernstein -- Tonal color in Dufay / Graeme M. Boone -- Cut signs in fifteenth-century musical practice / Anna Maria Busse Berger -- Notes on a Josquin motet and its sources / Anthony M. Cummings -- Con canti et organo: music at the Venetian scuole piccole during the Renaissance / Jonathan E. Glixon -- The Florentine madrigal, 1540-60 / James Haar -- Protector, imo verus pater: Francesco Zabarella's patronage of Johannes Ciconia / Anne Hallmark -- Musical "parents" and their "progeny": the discourse of creative patriarchy in early modern Europe / Paula Higgins -- French print chansons and Pierre de la Rue: a case study in authenticity / Honey Meconi -- Unnotated accidentals in the music of the post-Josquin generation: mainly on the example of Gombert's first book of motets for four voices / Anthony Newcomb -- Weerbeke's motet for the temple of peace / Jeremy Noble -- Some reflections on patronage: Palestrina and Mantua / George Nugent -- A sample problem of seventeenth-century Imitatio: Claudio Monteverdi, Francesco Turini, and Battista Guarini's "Mentre vaga angioletta" / Massimo Ossi -- How Josquin became Josquin: reflections on historiography and reception / Jessie Ann Owens -- Bernardino Cirillo's critique of polyphonic church music of 1549: its background and resonance / Claude V. Palisca -- The Jewish community and carnival entertainment at the Mantuan court in the early Baroque /rSusan Parisi -- Guillaume Du Fay's second style / Alejandro Enrique Planchart -- The newly rediscovered print of Piéton's Penitential psalms / Samuel F. Pogue -- Local repertories and the printed book: Antico's Third book of frottole (1513) / William F. Prizer -- Gesualdo's languishing steps / Christopher Reynolds -- Ercole's second-hand coronation mass / Joshua Rifkin -- Ceremonies for Holy Week, papal commissions, and madness (?) in early sixteenth-century Rome / Richard Sherr -- Multiple images of Bartolommeo Veneto's lute-playing woman (1520) / H. Colin Slim -- Three sample problems of editorial accidentals in chansons by Busnoys and Ockeghem / Peter Urquhart -- The chansons of Loyset Compère: a model for a changing aesthetic / Amanda Zuckerman Wesner -- Appendix: publications by Lewis Lockwood on Renaissance music / Phyllis A. Benjamin. |
| Abstract |
A festschrift prepared for the occasion of musicologist Lewis Lockwood's 65th birthday. The volume's 27 contributions, written by Lockwood's students and American colleagues, cover topics including tonal color in Dufay; notes on a Josquin motet and its sources; the Florentine madrigal, 1540-60; and a model for a changing aesthetic in the chansons of Loyset Compere. An appendix lists Lockwood's publications on Renaissance music. |
| Bibliography note | Includes bibliographical references (pages 503-507) and index. |
| LCCN | 96041999 |
| ISBN | 0899901026 |
